Elizabeth Holmes documentary ‘You Can See Everything’ earned $15 million from 855 screens over the weekend as Paramount’s ‘Street Fighter’ led North American box office with $31 million.
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Elizabeth Holmes’ documentary ‘You Can See Everything’ continued its strong theatrical run, taking in $15 million from 855 screens over the weekend, according to studio estimates and A24.
The film, directed by Nathan Fielder and Lance Oppenheim, drew more than 2,000 sellout showings over the weekend. The opening marked the biggest debut for a film playing on under 1,000 screens since ‘Borat’ opened to $26.5 million in 2006.
In North America, ‘Street Fighter’ topped the charts as expected, earning $31 million from 3,575 theaters, based on studio estimates on Sunday. The film also recorded a $51 million global opening, including $20 million from international showings.
‘You Can See Everything’ recorded the biggest nonmusic documentary opening in two decades, since ‘Fahrenheit 9/11’ made nearly $24 million from 868 theaters. The film was made in secret over three years, with Fielder spending more than a month with Holmes and her family, including two young children and partner Billy Evans, during her final days before reporting to federal prison.
Ticket sales for ‘You Can See Everything’ were driven by a younger audience, with more than 70% of the opening weekend crowd under 35. The film also drew strong audience response, with PostTrak exit polls showing 91% “definite recommend.”
Reviews for ‘You Can See Everything’ were also described as extremely positive, with 99% on Rotten Tomatoes and 99 on Metacritic. In addition, Rentrak’s head of marketplace trends, Paul Dergarabedian, said the film’s mainstream audience appeal helped overcome expectations for a three-hour documentary.
Other titles in the weekend’s top 10 included ‘Whalefall,’ which opened in fourth place with $8 million from 3,065 locations in the U.S. and Canada. The $60 million survival thriller starring Austin Abrams and Josh Brolin also brought in $9.5 million internationally, for a $17.5 million global launch.
The Universal release ‘Other Mommy’ added $8.4 million in its second weekend, bringing its domestic total to $44.9 million. ‘Sense and Sensibility’ earned an estimated $7.3 million from 2,545 theaters in fifth place, including a predominantly younger (58% between the ages of 14 and 18) and female (84%) crowd, along with a CinemaScore of A-.
Warner Bros. also released a restored presentation of Ken Russell’s 1971 film ‘The Devils’ in 350 locations, where it made $1.6 million—its first release from the studio’s specialty label.
Alex Gibney’s Elon Musk documentary ‘Musk’ expanded to 472 screens in the U.S. and Canada, earning $306,702. Bleecker Street said issues with advertising on major social media platforms included X and TikTok, adding that TikTok permanently suspended the film’s ad account this weekend.
According to Rentrak, the weekend generated about $101.6 million in ticket sales across U.S. and Canadian theaters, up 45% from the same weekend last year. The year-to-date total stands at $8.2 billion, up almost 20% from 2025.
Rentrak’s estimated top 10 movies by domestic box office for the weekend were: ‘Street Fighter’ ($31 million), ‘You Can See Everything’ ($15 million), ‘Other Mommy’ ($8.4 million), ‘Whalefall’ ($8 million), ‘Sense and Sensibility’ ($7.3 million), ‘Verity’ ($6.2 million), ‘Resident Evil’ ($5.5 million), ‘Heart of the Beast’ ($4.8 million), ‘Jailer 2’ ($3.2 million) and ‘Forgotten Island’ ($2.3 million).
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